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iterary works typically endure because they address the great,
recurring questions about human nature in some of their full complexity. By embodying our most profound inquiries in the
lives of particular characters, they invite us to examine and understand the many
dimensions of human relationships.
Each of the six books in this series has generated vital and
significant discussion for well over a century. Together,
they introduce us to worlds that are, in many ways, light years removed from the
twenty-first century with its dizzying pace of technological and social change. Yet in the struggles of their heroines and heroes
to negotiate the conflicting demands of individual desire and social expectation, of
tradition and inevitable change, they explore themes as universal today as they were one
hundred fifty years ago.
Published in 1813, Jane Austens most popular novel, Pride
and Prejudice, is a quintessential comedy of manners, offering an engaging satiric
view of village life in nineteenth-century England. The
novel centers on the spirited clash between independent and witty Elizabeth Bennet, a
daughter of the rural gentry, and Fitzwilliam Darcy, a rich, aristocratic landowner. The account of their sparring and the accompanying
adventures of the entire, sometimes inexcusable, Bennet family provides a surprisingly
complex reflection on workings of pride and prejudice in the authors
time.
Set in the early years of the post-Napoleonic monarchy, Père
Goriot (1835) depicts a Paris society in transition, where alliances are formed
for the convenience of social advancement and at the expense of deeper family and marriage
ties. Desire for money, material goods, and
status governs the relationships in this novel, considered by readers to be one of the
best works in Honoré de Balzac's celebrated series, The Human Comedy. The bonds
formed by the eclectic mix of characters in the boardinghouse where the protagonists live
also demonstrate a central feature of Balzac's world, social connectedness.
In The Scarlet Letter (1850), Nathaniel Hawthorne
raises the enduring question of the extent to which personal love and morality transcend
institutional and social values. Set against the backdrop of a Puritan frontier community
in New England, this classic romance tells of vengeance and penance, love and loneliness,
endurance and forgiveness. Isolated from each other and from their community by deed and
circumstance, the four main characters nevertheless sustain powerful relationships that
shape their inner and outer lives.
Ivan Turgenev's Fathers and Sons (in
Russian, Fathers and Children) is the classic 19th century novel of
intergenerational relationships. Set in
Russia in the politically turbulent 1860s, the story presents the age-old conflicts and
attachments through which generations, and individuals, define themselves in relation to
one another. While many intellectuals of
Turgenev's time overtly identified themselves by their commitment either to western
European cultural values or to native Russian/Slavic traditions, Fathers and Sons
attends to the deeper affinities and antipathies that derive from timeless forces in human
nature.
Nora, the
heroine of Norwegian playwright Henrik Ibsens A Dolls House
(1880), shocked the sensibilities of contemporary audiences when she walked out on her
husband and children, having discovered her marginalized role in marriage and in life. Noras gradual realization that she must find
her own identity outside of her societys traditional definitions reflects recurring
questions about gender relationships and marriage that have continued to be vital and have
fueled the play's many revivals and its frequent use in college classrooms. Despite its
widespread acceptance as a feminist text, however, Ibsen himself insisted A Dolls
House was more about human rights, than womens rights.
There exists no more moving description of the
consequences of transgressing the moral code of late nineteenth-century, middle-class
German society than Theodor Fontanes hauntingly beautiful novel Effi Briest (1895). Effi is a young woman married to an older man, a
man who treats her with affection but also as a child who must continually be taught
lessons or reproved for mistakes. In the
novels incisive social analysis and psychological insight into the conventions of
nineteenth-century marriage, it bears comparison with Madame Bovary and Anna
Karenina.
For Further Reading
Honoré de Balzac, Eugénie Grandet
Arnold Bennet, The Old Wives Tale
Charlotte Bronte, Jane Eyre
Emily Bronte, Wuthering Heights
Samuel Butler, The Way of All Flesh
Anton Chekhov, The Cherry Orchard
Kate Chopin, The Awakening
Fyodor Dostoyevsky, The Brothers Karamazov
Charles Dickens, A Tale of Two Cities
Gustave Flaubert, Madame Bovary
Benito Perez Galdos, Fortunada and Jacinta
Thomas Hardy, Tess of the DUrbervilles
Henry James, The Portrait of a Lady
Mikhail Lermontov, A Hero of our Time
Leo Tolstoy, Anna Karenina
Anthony Trollope, Barchester Towers
Giovanni Verga, The House by the Medlar Tree
émile Zola, Nana
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Retired Discussion Series
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