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his series includes books that depict different aspects of what it
means to live in Wyoming. Each writer explores both the myth and
the reality of the people and place. Whether in the memoirs, short
stories, poems or non-fiction narratives of this series, each shows
the loveliness and harshness, the humor and the romance of life lived
or imagined in Wyoming.
John Mcphee’s Rising from the
Plains (1986) weaves together the
personal history of Rocky Mountain
geologist David Love and his family
with the geology and history of the
region. He also details the search for
resources and the environment effects
of their discovery.
The recently published anthology Deep West (2003) offers a
sample of the work of nineteen contemporary Wyoming writers. Selections
include poetry, short stories and nonfiction and are accompanied by the
authors’ essays assessing how living in
Wyoming has influenced their writing.
Pulitzer prizewinner Annie
Proulx’s collection of eleven short
stories in Close Range (1999) deals with
loneliness, violence and love. Bound to
disturb the reader who anticipates
myths of the West, the stories are both
harsh and humorous as they depict the
lives of luckless cowboys and ranchers
left behind by the modern world.
In What You See in Clear Water
(2000), Geoffrey O’Gara traces the
history of the Wind River Indian Reservation
and its residents, the Shoshone
and the Arapaho, as they face the hardships
of poverty, suicide, and the indifference
or hostility of neighbors outside
the reservation. O’Gara narrates the
story of the recent conflict between
Indians and whites over water rights to
the Wind River.
Where Rivers Change Direction
(1999) is Mark Spragg’s memoir
of growing up on a dude ranch in
Wyoming, wrangling horses for his
father, hunting, meeting guests from all
over the country who have come to the
west to experience its mythology,
marrying and divorcing, and caring for
his mother before her death. The essays
are compelling stories of place and self.
As a resident of a small
Wyoming town, David
Romtvedt has written the collection
Windmill: Essays from Four Mile Ranch
(1997) about the rural West, using the
windmill as a metaphor. These pieces
concern various topics including his
small town, the local economy and
culture, sheep, death, weather, and
being a non-hunter.
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